대구 찾은 한동훈 “죽이 되든 밥이 되든 나설것” 재보선 출마 시사
圖像加註文字，印尼移工Amu（化名）來台第二年就遭遇工傷，但債務壓力迫使他繼續工作。強迫勞動
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"We need spectacular moments to snatch their attention in one stroke," Kang, the director, explains. Unlike streaming or TV, where viewers are "ready and willing to give up their time," micro-dramas are competing with the allure of scrolling.